Posted in Mental Health, Music, Writing

Facing the Darkness: Happy Belated Birthday to the Man in Black

Johnny Cash’s birthday was yesterday. And I have once again missed my goal to post on Tuesday or Wednesday between 9 am and noon. Oh hell, I think the Man in Black would be understanding – if not downright proud – of all of my day late and a buck short bullshit and procrastination. It’s the stuff of sad country songs and tortured artists grasping at redemption. Johnny embodied both.

I grew up listening to Johnny Cash because my father loved him. But I didn’t really fall in love with Johnny until September of 2004. That’s when my mom died. My dad and my brother played Johnny constantly as we gathered at my parents’ house in the days preceding and following her passing. A multi-disc “best of” set and the first four albums in Cash’s American series were in constant rotation.

The whole American series, especially the first four, released while Johnny (and my mother) were still alive remain my favorites. While American V was great and sixth installment was okay (both were released posthumously) the first four continue to blow me away. And over time, American III: Solitary Man has earned an extra special place in the Cash cannon for me.

The album was not quite as highly praised as the the first American Recordings album which earned Cash one of two spots in Rolling Stone’s 500 Greatest Albums of All Time List or American IV, which also made a lot of “best of” lists, including one of Johnny’s three placements in the book 1001 Albums You Must Hear Before You Die. But American III is a great album in its own right. Perhaps more than any of his other albums, it highlights Cash’s simultaneous status as both a Nashville outsider and country music icon.

Since the 1970’s Johnny (along with fellow outliers like Waylon and Willie ) had been seen as an outlaw flipping off Nashville’s Music Row and at the same time, a name that is inescapable when talking about “classic country” music. Together, they redefined a sound, an era, and a whole damn genre. And in the late 90’s and early 00’s Johnny Cash, with a bit of help from Rick Rubin, did it again with his American series. Like his titular cover of Neil Diamond’s Solitary Man suggests, Cash was in many ways a loner. The contradictory themes of Bottles and Bibles has become so prevalent in country music that Tyler Childers named his 2011 debut just that. Yet few people have walked the line between those poles of sinner and saint earnest believer clawing at the arc of redemption with as much sincerity and grit as John R. Cash.

All of the songs here highlight those polarities: in Johnny, in all of us. He is the Solitary Man, Country Trash, and Wayfaring Stranger, who ain’t got Nobody. He envies that Lucky Old Sun that “just rolls around Heaven all day.” And yet in a time when he was facing increasing health problems, Cash was determined to come out of the gate swinging with the help of a whole host of family and friends and his cover of Tom Petty’s Won’t Back Down. He pleads to his lover: Lay with Me (In a Field of Stone). And the very personal liner notes, penned by Cash himself are bubbling with the family names of Carter and Cash as well as a diverse group of friends from Sheryl Crow to Merle Haggard.

It is Johnny’s cover of Will Oldham’s I See a Darkness (assisted by Oldham himself) that is the crown jewel of the album for me. Maybe it’s because my daily music listening habits at the time were evolving to embrace more than Hip-Hop, Alternative Rock and Metal, towards inclusion of Alt Country, Folk and Indie Rock. Cash had previously covered Soundgarden, Danzig and NIN. Now he was covering Oldham aka Bonnie “Prince” Billy. Maybe it’s because I discovered this album around the time of my mom’s death. Maybe it’s because the previous year I was diagnosed for the first time with Clinical Depression, Anxiety Disorder, “PTSD like symptoms” and a learning disability. But those were just names for struggles I have dealt with my whole life.

This, this is why I fell so deeply in love with the album, this song, and in part why I finally heard Johnny. I have lived that song. I still live that damn song. I’ve always seen the Darkness. And people do not truly survive the darkness alone. Even if our companions are fellow Wayfaring Strangers, outlaws, misfits, other addicts or the fathers and brothers we connect with more through music than with words or hugs. There are no solitary men or women in the darkness, at least not ones who survive. If you are there, if you see the ever-present darkness too, you are not alone. Or at least you don’t have to be. Even when that darkness tries to swallow the light and life screams “death” in your face, we all need a “Buddy,” a “best unbeaten brother.” I choose to survive, to thrive if and when possible. Johnny did, until his body could no longer sustain his will and drive. I hope you will too:

Well, you’re my friend
And can you see
Many times we’ve been out drinking
Many times we’ve shared our thoughts
But did you ever, ever notice
The kind of thoughts I got?
Well, you know I have a love
A love for everyone I know
And you know I have a drive
To live, I won’t let go
But can you see this opposition
Comes rising up sometimes?
That it’s dreadful imposition
Comes blacking in my mind
And then I see a darkness
And then I see a darkness
And then I see a darkness
And then I see a darkness
Did you know how much I love you?
Is a hope that somehow you
Can save me from this darkness
Well, I hope that someday, buddy
We have peace in our lives
Together or apart
Alone or with our wives
And we can stop our whoring
And pull the smiles inside
And light it up forever
And never go to sleep
My best unbeaten brother
This isn’t all I see
Oh no, I see a darkness
Oh no, I see a darkness
Oh no, I see a darkness
Oh no, I see a darkness
Did you know how much I love you?
Is a hope that somehow you
Can save me from this darkness

Let us save! Let us save each other!

Posted in Beauty, Health, Writing

Dream It All Up Again

This is just the end of something for U2. And that’s what we’re playing these concerts – and we’re throwing a party for ourselves and you. It’s no big deal, it’s just – we have to go away and … and dream it all up again. ~ U2’s Bono, December 31, 1989 at the Point Depot in Dublin, Ireland

It has become a well worn mantra that U2 fans know well. The New Year’s 1989 show in Dublin was broadcast on RTÉ and BBC radio all around the world. It was near the end of the Lovetown Tour in support of the band’s 1988 album Rattle and Hum.

They would re-emerge almost two years later, in November of 1991 with this gem of an album. Achtung Baby was simultaneously more dazzling, yet darker than the world had ever heard them before. In marked contrast to the soaring, anthemic delay and reverb laden guitars of The Unforgettable Fire and The Joshua Tree, this album shimmered with electronic and dance elements and keyboard sounds from The Edge and producer Brian Eno that were wildly different compared Edge’s piano work on their 1981, sophomore album, October. The 4 lads from Ireland also had an aesthetic makeover. A collage of industrial, religious and somewhat self-aggrandizing images adorned the cover art. Bono’s hair was shorter, slicker and darker. The blonde highlights of their brilliant Live Aid era were long gone. And when they hit the road to support the album with the ambitious Zoo TV tour, the future was so bright that Bono’s shades became a permanent staple of his public persona. Yes, I’m aware of his glaucoma. But the shades were also tightly wound-up and tied-in with Bono’s new leather-clad “Fly” and “MacPhisto” stage personas. Peacock strutting, prank phone calls to the white-house, and mockery of TV Evangelists also became part of the live experience in this era.

In contrast to the sonic sparkles and glitz-trash-glam image (I mean that in the most complimentary of ways), Bono’s lyrics took a darker, more introspective turn than usual. Heavy, socially relevant topics were nothing new for the band. “Mothers of the Disappeared” and “Bullet the Blue Sky” had both addressed corrupt governments and US Military presence in Nicaragua and El Salvador. In “Sunday Bloody Sunday” they spoke up loud and clear about the conflict in Northern Ireland that lead to a bloody massacre in 1972. If you have never seen the Rattle and Hum, live performance of the song that was recorded the evening of the Remembrance Day bombing in Enniskillen, watch it right now!

To put a few things into context, Achtung Baby was released 84 days after Pearl Jam’s debut album, Ten and only 56 days after Nirvana’s “Grunge comes crashing into Suburbia” second album, Nevermind and 63 days after Guns N’ Roses’ Use Your Illusion I & II . Without necessarily intending to do so, U2 set out to show the world that “alternative” was a large expansive (nearly useless) category that had roots in New Wave and Post-Punk and stadium-packing arena-ready rock did not belong solely to the Sunset Strip -its quickly fading Aqua Net endorsing hair bands- or the more muscular, tough boy classic rock that was replacing it. And the young Chris Martins and Dan Reynolds of the world must have been paying attention (but that’s a whole different tangent, best saved for a different day).

As I sit here today and allow myself to be pummeled once again by the non stop bass thump of this album – interrupted only by the mega-hit ballad “One” and the flipping of the records on this double LP press – I wait in anticipation once again to hear Bono sing from the perspective of Judas Iscariot on “Until the End of the World” and speak-sing absurdities from Irina Dunn on “Tryin’ to Throw Your Arms Around the World.” I still crack a smile every time I get to that line “a woman needs a man like a fish needs a bicycle.”

But it is the album closing trio of songs – each a bit darker than the last – that I still wait for with bated breath upon each new listen. And this is is the section of the album that reminds me most that U2 had to ‘go away to dream it all up again.’ I think of “Ultraviolet (Light My Way)” as a squeal of sorts to “Gloria” from the band’s most overtly religious album October. On the surface “Ultraviolet (Light My Way)” is about a desperate romantic relationship with the over the top and cliché “baby, baby, baby” lyric. But Bono has never been shy about his Christian beliefs and has always given fans more than enough allusion to the Bible and Christian tradition to fuel the never ending “is it about a girl or about Jesus” conversations among a certain sect of U2 fans. Before, on “Gloria” those allusions were more like evangelistic mantras or church pew confessions, complete with bits of Latin phrases: “Only in you I’m complete.. Gloria in te domine; Gloria exultate; Oh Lord, if I had anything, anything at all, I’d give it to you.” But on Ultraviolet, the lyrics give just enough for U2 biographers and fan web-boards to claim that everything in the song serves as a metaphor for for divine presence lighting the way in the darkest of times. Some folks say the lyrics allude to one of the Bible’s darkest and most mysterious books, Job (“When his candle shined upon my head, and when by his light I walked through darkness”). In any case, I love this song and firmly believe that more often than not, love – real love, the good stuff – often feels more like being lost in the dark, grasping for the other than it does feeling like one is completely found. Communication – whether familial, platonic or romantic – is elusive, slippery and difficult.

We would all ‘reach out, if we only knew where to hit.’ This leads to my favorite cut on this album and my favorite U2 song of all time, “Acrobat.” Bono himself calls it a song about hypocrisy. Hypocrisy of a rich rock star with deep religious roots, a wife, children and all of the inherent tension and potential pitfalls that predicament implies. The song has taken on a status of mythical proportions among die-hard U2 fans. It was rehearsed for the Zoo TV tour in 1991 and ’92, and has been one of the bands most requested songs for live performances. However, they never performed it in front of a live audience until 2018! 2018! While the complex time signature is often sited as the reason for its glaring absence in the U2 live catalog, I have always believed it is simply because it is one of the most personal of songs that Paul Hewson – the man behind the moniker, shades, and endless reinventions – has ever written…

And I’d join the movement
If there was one I could believe in
Yeah I’d break bread and wine
If there was a church I could receive in
‘Cause I need it now
To take a cup
To fill it up
To drink it slow
I can’t let you go
I must be an acrobat
To talk like this
And act like that
And you can dream
So dream out loud
And don’t let the bastards grind you down

Just do a web search for “Bono Christianity,” “U2 Spirituality,” or if you’re up for some real bat-shit craziness, try throwing “Bono Antichrist” in the Google search. The same people that lift you up on a pedestal and put your image on the cover of Christianity Today, will throw you to the wolves the next day. The tension between the highest ideals we aspire to and our basest instincts may leave one feeling stretched thin, like an acrobat. But it is the family that has no place for us at the table that will tear us apart. One doesn’t need to share in Bono’s Christian faith to heed the inherent warning: it is our “brothers,” our “sisters” who will inflict the deepest wounds, tear you apart, and… Grind. You. Down.

Who is my brother? Who is my sister? My mother, my father? Who am I? Complex questions beg the simplest yet most complex of answers, love – true love – is blindness. I am ready now to be pummeled by one last thumping, spiritual and sensual, cold and sweaty bass line: “Love is blindness I don’t want to see won’t you wrap the night Around me? Oh my love Blindness.” Its such a truism, I could fumble on endlessly trying to give some further elucidation.

I haven’t written in this space in nearly two years. A lot has happened in that time. Amanda and I married on March 20, 2019. This July, I will celebrate 2 years without a drop of alcohol. I have been reading. I have been writing, writing, writing (not in this space, but writing nonetheless). I have been tackling my own tohu wa-bohu (Hebrew: תֹהוּ וָבֹהוּ‎). Deeper into darkness. Deeper into light. I had to go away and dream it all up again. I’m back. Achtung Baby!

Posted in Beauty, Health

The Deep

This is one of the oldest, most natural and primitive of human fears. It is the tohu wa-bohu (Hebrew: תֹהוּ וָבֹהוּ‎) that was in “the deep” better translated as chaos than “formless and void” in the Genesis myth. It is why ancient myths predating that had gods carving up the world out of conquered sea monsters or serpents.

It is almost always true that when I am not writing as much as I would like on the interwebs, I have not been writing enough elsewhere: In that journal that sits by my bedside and in my poetry journal. I have a tendency to forget the importance of processing life as it happens. Really, it’s not so much that I forget. It’s more like I am afraid of what I’ll write. As a species, we humans have conquered the void. We’ve sailed to the “edges” of the earth. We can board a plane and sail on wings, high above the sea, and travel to another continent in a day. Most of us believe, we even put a man on the moon. What I think a lot of us are really afraid of – what I am really afraid of – is the sea of chaos that resides within: the anxiety, the fear, the painful memories, the wonder, the mystery, our great potential to both heal and destroy.

My eight years of academic training in religion primarily consisted of writing research papers on some topic of dispute in Christian circles. I was trained to do weeks of research and reading, weighing and considering three sides to every story, before I sat down to write. I would evaluate all of the possible data and opinions I could find. I would read twelve different translations of a single Bible passage or study multiple theological positions about everything from “predestination” to human sexuality. And then I would sit down to tentatively write a paper. Almost everything began with a title that hung my weeks’ of preparation, investigation and my hesitancy out for my professors and my peers to see. Everything was: Towards a Theology of… [fill in the blank with divisive theological or social issue].

I can’t fully blame the training. It only reinforced a fearful and hesitant predisposition. My professors always encouraged me to argue more, to take more of a stand on an “issue.” But when I did it seemed to get me in trouble. Like when I turned in an “extremely well written” final paper exploring the instructions for warfare in Deuteronomy 20. I contended, and still do, that there is no way a god of love would ever command “holy war” or instruct for women and young girls to be taken, listed right next to livestock, as spoils of war. My professor found me to be “treading into heretical waters” but still gave me an A for arguing clearly and concisely.

Fortunately and unfortunately for me, writing is the primary way I process life. And I have often approached life, and my writing about my life, the same way I approached those papers. I stopped writing when I met my ex-wife. I didn’t write through our engagement. I didn’t write about our wedding day on or remotely near the time it happened. Instead, I found myself 6 months after we had been married, cracking open my journal and writing about the events of the year and a half that had past. My children were each at least a year old before I reflected on their births in my writing. The same with my subsequent divorce. My lifelong friendship with Amanda, that blossomed into something new and beautiful, yet deep and rooted. My ordination. My 2 year struggle to find placement in a church. My expulsion from the first church I served. And deconstructing a lot of things I believed for the first 35 years of my life, about god, the world, and myself. Much of this showed up in series I wrote last year around this time. It’s no wonder that in much of my writing, I am still wrestling with the positive and negative impact of my mother’s life on me, nearly a decade and a half after her passing.

A few months ago, something in me snapped. In October, my daughter who had been expressing suicidal ideation since July expressed it for the first time in front of me. I came home and wrote about it that night. While my heart was broken (and still is), I think the change within me was less of a breaking and more of an autocorrect to a lifelong pattern of dealing with and processing my surroundings. In December we received the results of her extensive psychological evaluation. And I have sat on them more than long enough:

We have known since she was four years old that my daughter – like me – has the neurological disorder, Myoclonus Dystonia. This disorder primarily affects the muscles, causing sporadic twitches and muscles spasms. We have known for nearly as long that she has some sort of “mood disorder.” The severity of that has increased with time. Over the last several years, that has been complicated and exacerbated by divorce and living in between two households.

What we didn’t know – what I didn’t know for ten years – is that my daughter is on the Autism Spectrum. She is a High Functioning Autistic little girl, a “pattern consistent with Aspergers.” What we didn’t know – what I didn’t know – is that this whole time this has heightened and intensified her mood disorder. Or as the doctor who performed her evaluation informed me and my ex-wife, more likely, the Autism could be a primary driver for her anxiety and depression.

I worked for a year as a social worker with at-risk teens, struggling with depression anxiety and suicidal or violent tendencies, when the search for ministry placement wasn’t going anywhere. After my short time serving as a pastor, I work another two years, serving adults with developmental disabilities, many of them on the Autism spectrum. And yet I felt utterly ill-equipped and unprepared for this diagnosis.

But, I have spent more than enough time in my own “deep” battling the monsters and serpents that have reared their ugly heads and have raged within me. I have spent hundreds of hours in therapy recounting and learning coping mechanisms for my own crippling social anxiety. I have spent the better part of the last four years boxing with my own demons publically in the arena of spoken word performances.

Last year during Lent, I aired out a lot of that struggle and triumph in this space. The theme that I explored that I come back to most often, is the concept of the ripples. I never want to underestimate the impact of my own words and actions on the world around me, especially those closest to me. I have undoubtedly – and often unknowingly – fucked up. I have yelled, cried, begged and pleaded with my daughter to tell me why she is feeling a certain way when she literally cannot do so. I have often thought she was being willful and obstinant when she was rather frozen by going into a social situation with family she doesn’t often see or making a transition that from her mother’s house to mine or back, that her neurotypical brother seems to (in relatively little time) learned to do with ease.

Yet, I am not utterly ill-equipped and unprepared. I have those years working with troubled teens and adults with cognitive and emotional disabilities. More recently, and perhaps more importantly, several young adults on the Autism spectrum have found a home in the open mic community that I have the privilege to facilitate and host each week. I am learning from the fearless public performances of these brave souls and in private conversations, what to say and do and what not to say and do, when it comes to dealing with a child on the Autism spectrum. One friend and amazing poet who is on the spectrum, upon learning of my daughter’s diagnosis sent me several helpful websites and gifted me with a book for Christmas: What Every Autistic Girl Wishes Her Parents Knew. With each passing day and week, I am learning a little bit more about “life on the spectrum.”

We often don’t like to see in others – especially those we love – things that remind us of our own “deep,” the monsters we fight, the things we don’t like about ourselves. I don’t know about you, but I have a tendency to project my own inner world on those people, and thus fail to see them. I want to see my daughter. Her deep is not mine. Her parents did divorce. But her father is not largely absent from the equation like mine was during my most formative years. I know about my own anxiety and depression, that developed in a dysfunctional home and was compounded by a lot of toxic by religiosity.  But everything I am learning about Autism is from doctors, books, websites, and most importantly from the friends dealing with it that the universe has brought my way. I need to be careful and more mindful of the ripples I send out. But I am also deeply and profoundly thankful for the ripples the universe has sent my way, preparing me for this, for the beautiful yet complicated gift that is my daughter.

Posted in Headlines, Health

Helter Skelter and Euangélion

The death of Charles Manson is not good news to me. I find no joy and no solace in it. In fact, no matter how putrid the moral failings or heinous the crimes of the deceased, glee over death – any death – always makes me sad. I understand the visceral reaction people have about cult leaders, serial killers, abusers and perpetrators of all sorts of nefarious acts. On a gut level, I understand – and even sympathize – when people espouse their hatred for those souls that show us how dark the human mind and heart can become. I understand in my gut why radio DJ’s, co-workers and thousands of people on social media celebrate the demise of one such man. I get why so many people feel certain that if there is a Hell, Charles Manson is now there. I do. I mean, I have found myself – at my worst – wishing a car accident on someone who cut me off in traffic. I am not proud of that. It reveals the darkest parts of my reptilian brain when slighted, and I am firing on too much caffeine and too little sleep. But it does not reveal my heart.

My heart breaks, for a world that relishes in punitive justice much more than it does restorative justice and reconciliation. The death of Charles Manson is essentially meaningless. A highly charismatic and tortured man who as a kid was abandoned by his mother didn’t know his biological father found a way to inflict his pain on the world. There were 7 horrific murders carried out by his following. Several people are still rotting away, awaiting their own death in prison. And many more people – the loved ones of the victims – lived or continue to live out their lives with a wound that no one, no one can ever heal.

The death of Charles Manson has me wishing I still believed in Jesus. Not the punitive, scary Jesus ready to send anyone to hell for being born into the wrong culture or for not saying the right prayer, that I believed in as a youth. But the Christ. The one of whom Paul said, “one man’s act of righteousness leads to justification and life for all.” The one whom for Irenaeus “became what we are, that he might bring us to be even what he is himself.” The Christ I once truly believed was going to recapitulate, reconstitute all things great and small and reconcile them to God, to the earth, and to each other.

Charles Manson stole a song title from the Beetles and preached “Helter Skelter.” He somehow convinced his followers that a great race war was coming, that their crimes would be the catalyst for this apocalyptic event and that he would be at the helm of leading a new society. He was a severely flawed and failed messiah figure. Jesus preached Euangélion (Greek: εὐαγγέλιον) or the Good News that the kingdom of God was at hand, that it was dwelling among us. Sure he preached a lot of really judgmental sounding things about hell too, and his own sort of impending Armageddon. But somehow, many of his followers including the Paul of the 7 authentic Pauline letters, some of the Church Fathers many Eastern Orthodox and Catholic mystics and more than a few liberal Protestants took the stories about Jesus’ life death and resurrection to mean that God was reconciling the whole cosmos in this one man. That’s where I was in my last days as a minister of “the Good News.”

A severe lack of grace in humanity, raging injustice in the universe, a lack of divine intervention (the kind that would and must break forth if God had really broken through), multiple Christ-like myths that long predate Jesus of Nazareth, glaring contradictions and obscene moral flaws attributed to God (in the Bible and in any other religious text I have ever read) and Ivan Karamazov and his damn speech about the children. These things simply will not allow me to believe that the lion will lay down with the lamb. They no longer permit me to believe that somehow, someday, God’s light will flood the earth and be so pervasive that even Sharon Tate would embrace Charles Manson. But on days like today – honestly almost every day – I find myself wishing it were true.

I am tempted to despair. And some days I do! I don’t know what to believe or even wish about the universe we find ourselves in. And for the most part that all seems so futile now. But there are things I can do and even reasonably hope. We are so inundated by bad news:  corrupt politicians in international collusion to skew elections or sell uranium, new sexual assault cases revealed daily against the saints of Hollywood and those masquerading as proponents of “family values” in the church and government, and mass murders every few months. It is understandable how in such a sick, cynical society where evil sometimes seems destined to be eternally cyclical folks can find themselves cheering for the death of one bad guy.

So I must force myself for intervals of time to step away from the bad news when being informed and educated on what’s going on turns to wallowing. I must force myself to remember that some truly verifiable good news does happen in the world. I must remind myself that the negative news cycle – while all too real – is designed to pull you in and make you spend hours online or in front of your tv to advertise products to us we don’t need. I must remind myself that Danica Roem recently became become the first openly transgender woman elected to the Virginia House of Delegates. Not only did she win, but she defeated an incumbent who introduced an anti-trans “bathroom bill”!!! I must remind myself that this Thursday, adherents of various religions and non-believers alike will file into churches, food banks, schools, and restaurants to feed the homeless. I must remind myself that a beloved fellow artist my community is always working to shed a light on the hunger epidemic. I must remind myself that almost every week someone approaches me, to tell me that my poetry or the open mic community that many of us have tirelessly worked to create has made a difference in their life. I must remind myself that I am deeply loved by more people than I am probably aware of. I can and I must go forth and “love my neighbor as myself.” And as has always been the case – even if seldom realized – none of us can do that unless we actually love ourselves.

So this is me, pushing back from the news cycle for the rest of the day, for a hot shower, a beer and an earlier bedtime than normal. I need some rest. This Thursday I get to have way too much food with people I love, who also love me and who would strongly disagree with me about Charles Manson or Jesus. And dammit, I am determined to love them well.

Posted in Beauty, Health, Poetry

A House Divided

I have recently been going through a lot of my writing from the last decade, both poetry and prose. I am working on assembling poetry by theme. The goal is a poetry chapbook of some sort. I am also trying to actually work on the memoir that I have been talking about working on for the last two years.

Seven years ago to the day, I wrote this. At the time, I posted it for all the world to see on my blog, this very site. For various reasons, all posts between 2004 and June 2015 have been deleted. Still, I posted it for the world. And still, things still lingered on for another 5 years, to the day.

Assonance or Resonance?
So desperate, I need some respite, in this place of war
I need a place to say some things I haven’t said before
A place to say the names of the bones behind the door
Voices echo in this headspace as you creep across the floor
Just like that broken record I picked up discounted in the bins
Only one side ever plays and the last song never ends
The last word gets repeated ’til I lift the needle from the skin
Mixing metaphors with my dopamine, like whiskey with my gin
Should we exit like we entered with no input from our friends?
Or give them all one more chance to peer around the bend?
If this ship is really sinking, they could be our rising wind
Can’t help but thinking…
They’d love another chance to play pretend
Maybe in this pool of listlessness, they’d be quick to condescend:
“Can’t comprehend why she didn’t leave him long before she did
Of her own volition, no contrition and no cognition turned to shit
It was painful to watch her dying from all those wounds she hid”

It would be far too easy for me to be angry: Where were my friends, family, seminary colleagues, professors, pastors, mentors, people who declared their love for me and my ex-wife while we were both crying out for help, each in our own way?

I think ultimately there is a twofold lesson for me: First, I have to write for me, for my own “salvation” and mental health, come what may. No matter who reads it, or how many, or how they respond. And secondly, I have to learn to separate those who appreciate my writing whether on a blog, in spoken word performances, or hopefully someday, in a book from true friends. And I have to do my part to hold close to the latter.

Jesus and Lincoln both purportedly said, on their respective campaign trails, that a house divided against itself cannot stand. Most of my life I have been a house divided: A free spirit, free thinker, trying desperately to cling to the dogma of the past to save me from the flames of hell. A self-proclaimed “extrovert” who took a Myers-Briggs Test, scored ENFP but has struggled with life-long social anxiety. I have worked just as vigorously to shut people out -who would love to love me – as I have to draw them in.

But I am changing. Good gawd, even at the ripe old age of 40, I am changing for the better. For most of my life, I have suffered from a simultaneously self-hating and self-aggrandizing fear that the eternal fate of others might be inextricably-intertwined with my words: my excelling or failing to say, “Jesus loves you.” But now I know that I have to be able to look myself in the mirror in the morning and say, “I love you.” My “salvation,” my mental health depends on it! And others depend on me. They wouldn’t be lost or hopeless without me. But I contribute to their happiness and well being right here, right now. So I continue to work towards casting out my own demons. I continue to work towards my own mental and emotional emancipation.

I am a house, perhaps in a permanent state of remodel. But I am no longer closed for repairs. Welcome to my living room. Take a seat. Or don’t. I have many stories to tell.